Tag Archives: Xbox One

Halo Fest 2020: Halo Wars

Now for a complete change of pace from the original Halo trilogy, we have Halo Wars. Despite the fact that Halo actually started life as an real time strategy game, it still strikes me as incredibly unlikely that Microsoft would have ever greenlit this. I guess they figured a console RTS had more of a chance of success with the Halo brand behind it than without, and they were probably right. Still, I didn’t know many Halo fans who were all that excited about the prospect at the time, and console FPS fans and RTS fans were mostly two different breeds. Regardless, this badass trailer produced by Blur did a lot to get the Halo fans pumped up and RTS fans (well, the ones who would condescend to play an RTS on a console) would be placated by knowing that Ensemble Studios, responsible for the Age of Empires and Age of Mythology series, utter classics of the genre, would be at the helm.

The badass cutscenes were also produced by Blur.
“The badass cutscenes were also produced by Blur.”

Me? Well, as both a Halo fan and an RTS fan (and admittedly, not a hardcore one) and having played my fair share of Age of Empires II, I was probably about as close to their target demographic as you could get. Despite this, I wasn’t all that hyped up for it, and while I did play through the demo (which I briefly talk about here, though I somehow have no recollection of) I never got around to playing the full game. While it was pretty well received by fans and critics alike, it’s reasonable to assume that a similar level of disinterest (along with numerous internal factors) would lead to Ensemble closing its doors, sadly making Halo Wars their very last game.

For this playthrough I played the Xbox One Halo Wars: Definitive Edition on my Series X. The “Definitive Edition” is a remaster of the original game released alongside Halo Wars 2. With higher resolution textures and improvements to lighting and particle effects but not a lot else, it’s essentially just a re-release. While this means it’s not going to blow you away with contrast between the versions like the first two Halo games I covered, it is, at least, very faithful to the original. The game has aged pretty well, so that’s not a problem.

Well, it certainly LOOKS like an RTS...
“Well, it certainly LOOKS like an RTS…”

I’d actually started my playthrough on “Heroic” just as I did with the first three Halo games, but I found that the effort to beat some of these missions on Heroic simply wasn’t worth it – I could beat them, sure, but it took longer due to losing units more easily, and that sapped a lot of the fun out of the experience. Lowering the difficulty one notch to “Normal” was a big improvement for me. I suppose I enjoy overcoming bumps in difficulty in FPSes a lot more than I do in RTSes, where my builds and priorities are the biggest differences in how I play from session to session rather than toying too much with tactics. That, and the kinds of scenarios you encounter in a single player campaign like this so often constrain your options for the sake of variety, not doing a great job of reflecting the full array of options present in a pure skirmish match as a result.

The console control scheme makes excellent use of radial menus.
“The console control scheme makes excellent use of radial menus.”

I think another issue was the controls. Don’t get me wrong, I think Ensemble did a fine job with translating the RTS to the console, and from other console strategy game experiences I’ve had, I think the idea that strategy games don’t quite work on consoles is total bunk – there are plenty of examples of at least passable RTSes on console. Still, I have a lot of hours playing of RTSes on PC under my belt and playing them with a mouse and keyboard is in-grained at this point. For one, I found my ability to appropriately micromanage my units lacking. Halo Wars lets you select all of your units, all of your units on the screen, and all of the units of only a particular type in either case, which is just enough to allow you to do most anything you’d want to do with a little creativity. Still, that pales in comparison to being able to quickly make groupings of specific units of mixed unit types and assign them to hot keys for later use. Interestingly, I made the same complaint over 10 years ago when I played the demo. I definitely did feel slightly hobbled by this in some of my busier missions though, and this led me to coming up with numerous cheesy strategies of deploying tons of the same unit – masses of fully upgraded Warthogs being a particular favorite of mine, being both cheap to replace when they inevitably get blown away, and hilarious to watch bound haphazardly across the map.

Continuing the trend I started with my re-play of Halo: CE, I unlocked every skull and black box collectible on each map, though chasing them down really wasn’t all that enjoyable as it was in the previous games. Some don’t appear on the map until certain challenge conditions are met, making finding them more naturally impossible, and resulting in them being a bit of a distraction from the actual goals of the mission. More importantly, the reward for unlocking them is a let down. Skulls function similarly to previous Halo games, but in the case of the black boxes, each one unlocks a single entry on a giant timeline of the events around the game. This glorious lore dump is no doubt cool for fans of the franchise, but they’re just short text blurbs – no cutscenes, not even voiceovers. A little on the weak side.

Marines clearing out a nasty Flood infestation.
“Marines clearing out a nasty Flood infestation.”

While I’m being negative, I also encountered a few bugs and other oddities during my playthrough. Probably an artifact leftover from the remaster, but in-engine cutscenes seem to run at a reduced, stuttery looking framerate, I had at least one total system crash during a mission, and on another occasion (on the same mission!) I lost the ability to control a special vehicle which made winning the scenario impossible and caused me to have to reload and lose a bunch of progress. I wouldn’t say these issues were numerous enough to ruin my experience, however, but there were enough of them to take note. That said, I didn’t have any real issue with unit pathing, which is a common complaint I’ve seen online.

There’s also the story. As this is a side story taking place out of chronological order and well before the main series, I’ll go ahead and recap its plot right here. While I’m fairly vague in these plot summaries they absolutely do still contain spoilers, so skip the next paragraph if you don’t want the plot to be spoiled!

The Arbiter's back! Only this is a different one, and he has zero personality.
“The Arbiter’s back! Only this is a different one, and he has zero personality.”

The story: As part of the Harvest Campaign, an effort to retake the planet of Harvest, the first human colonized world with the unfortunate distinction of being decimated by the Covenant, marines of the UNSC colony ship “Spirit of Fire” discover a newly excavated Forerunner facility containing an interstellar map. Using the map, Professor Anders, a researcher aboard the Spirit of Fire, identifies another human colony world, Arcadia, as being a point of interest for the Covenant. Arriving too late, the Spirit of Fire finds Harvest’s defenses breached and the colony already under siege by Covenant forces. Linking up with local defenses, including Spartan Red Team, Arcadia City is evacuated. Efforts to further repel the Covenant eventually lead the UNSC to locate concentrated Covenant activity around yet more Forerunner ruins. The UNSC push the Covenant out, though the victory is short-lived as the Arbiter abducts Professor Anders and flees Arcadia. In pursuit, the Spirit of Fire arrives at an uncharted planet being overrun by Flood, which they quickly learn is actually a Forerunner Shield World. Professor Anders manages to escape, revealing that the Arbiter planned to use her to activate a fleet of powerful Forerunner warships to help the Covenant decisively win the war. Captain Cutter approves a risky plan to use the Spirit of Fire’s faster-than-light drives to destroy the entire Shield World, keeping the Forerunner fleet out of the hands of the Covenant. Successful but now without faster-than-light capability, the Spirit of Fire’s crew goes into cryogenic storage while the ship begins the long journey home.

It all feels, eh, a little generic. I say this having already played almost all of the other games in the series, so perhaps I wouldn’t have felt that way at all if I played it at the time. It might have been utterly groundbreaking for all I know. Either way, this isn’t helped by the fact that the characters were all just a little flat. I really couldn’t convince myself to care all that about Sgt. Forge, Captain Cutter, or Professor Anders. Hell, I probably liked the Spirit of Fire’s AI, Serina, more than the lot of them. Everyone just came across as low effort archetypes to me, and I think I would have felt the same back in 2009.

One of my Spartan's jacked a Scarab. Ridin' in style!
“One of my Spartan’s jacked a Scarab. Ridin’ in style!”

While that all sounded more than a little sour, no, I didn’t dislike the game. In fact, I felt like Ensemble did a great job representing the Halo universe. The presentation is faithful to the original games and quite skillfully executed, with the new units added doing a lot to make both the Covenant and the UNSC feel more like actual military forces than what was represented in the previous Halo games. The soundtrack is great. The cutscenes, awesome! It also definitely succeeds as a RTS, with some interesting units, tech trees, a decent amount of variety in the scenarios you’re thrown into in the campaign, and an interesting take on the classic formula, with simplified resource gathering and some other concessions seemingly made around the platform. I think one of the bigger compliments I could give the game is that I had been feeling the urge to play some classic RTS games lately and Halo Wars managed to thoroughly scratch that itch. Once completing the campaign, I dove into several skirmish matches against AI which were a ton of fun and sealed my overall positive impression of the game.

I’d say if you’re a Halo fan, you should definitely give it a chance. If you don’t have any RTS (or other strategy game) experience you absolutely might bounce right off of the game. Then again, it might also end up being one of your favorite Halo games, and your gateway into a whole new genre. Now, back to Bungie

Save or Die!

As a little kid I became obsessed with skateboarding thanks to my best friend’s skater older brother, who we both thought was so cool. As it goes, my friend and I spent far more time flicking through Thrasher and Transworld Skateboarding, doodling halfpipe filled skatepark plans, and pining for half of the awesome gear in the latest California Cheap Skates catalog than actually skating. Regardless, I think there was something about the whole culture that appealed to the nascent misfit rebel in me. Beyond magazines and catalogs, there were a few other outlets for wanna-be skaters. While you could only watch Christian Slater Gleam the Cube so many times, a game like Skate or Die on the NES could be played over and over again… and I did! The disappointing Skate or Die 2 was one of the only Nintendo games I talked my parents into buying me at release, in fact.

Man, I love this new moody version of Burnside!
“Man, I love this new moody version of Burnside!”

In my teenage years I got into punk rock something serious, and given the association, picked up skateboarding again. Nowhere near as physically coordinated as I was as a kid, and a lot more risk averse at that, I didn’t have any luck with continuing where I had left off, but I did discover a whole new joy of skateboarding – being alone with my thoughts while trying a trick I barely understood how to do over and over again in some empty parking lot somewhere. A useful release during some pretty stressful years. Of course, I still pined over CCS catalogs, but now I could actually afford some of the stuff in them. At around the same time I had developed something of a summer vacation ritual of bingeing on the X Games late at night. Then, to complete the circle, Tony Hawk’s Pro Skater dropped. The 90s were a hell of a time!

Or should I say 2000s, because while THPS had a reputation of being more of a PlayStation-centric series at first, it was ported all over the place, and I, being a Nintendo 64 devotee at the time, had to settle for that inferior version. That’s not to say it sucked though – the core of THPS was absolutely intact, and although the fog plague every locale (in more wide open areas) and the soundtrack was fucking butchered, it was totally serviceable for us schlubs with no alternates. While I have fond memories of jamming out to the awesome soundtrack (that very much aligned with my musical tastes) and struggling through that original selection of levels, I can’t tell you exactly how much of the game I played. I mean, I vaguely recall completing all of the challenges on all of the maps, but who knows?

Falling from great height (with style that is) in San Francisco.
“Falling from great height (with style that is) in San Francisco.”

I have a lot more scattered memories of the series from then on – hanging out in more than one “punk house” watching friends get high and pass the PlayStation controller around playing THPS 2 and THPS 3, feeling deeply disappointed that I couldn’t play an apparently improperly burned copy of THPS 2 on my Dreamcast, that kind of thing. It wasn’t until I dove back in with Tony Hawk’s Underground on my original Xbox that I spent any quality time on a Tony Hawk game again. THUG was pretty fun, though I don’t remember vegging out on it nearly as deeply as I did with the very first game back on my Nintendo 64. That nostalgia is why I was curious about the remaster “Tony Hawk’s Pro Skater HD” which hit XBLA back in 2012, but as I wrote in this blog at the time, while it looked pretty nice, it just didn’t click with me. While I’d been tempted to check out other Tony Hawk’s titles, along with other challengers to the throne such as EA’s lauded Skate series, that was about it for me. That was, until I heard about all of the hype around this second attempt at a Tony Hawk’s Pro Skater remaster. This time with the added addition of THPS 2 levels and even some enhancements from later titles in the series. What can I say, I’m a sucker for some good, genuine hype.

And I’m happy to report that this time around the hype was real and Vicarious Visionsremaster was a lot more successful than Robomodo had been with Tony Hawk’s Pro Skater HD. As soon as I hit The Warehouse, just like riding a bike, I was back in my parent’s living room grinding through the goal list, only with the added benefit of not having to use a fucking N64 controller. While it took more than a little practice to be able to meet those “sick score” goals, the game just immediately felt good. Real good. Of course, it only helps that the remade visuals the game received looked great as well, with obvious effort being placed into staying reasonably faithful to the originals and with a masterful attention to detail. The classic soundtracks of THPS and THPS 2 were mostly intact too, with only a few casualties, plus a huge heaping of new tracks that mostly fit in well to give the whole thing some expanded variety.

I love customizing my weird THPS doppelganger with sick 80s gear.
“I love customizing my weird THPS doppelganger with sick 80s gear.”

The made over visuals and expanded soundtrack are far from the only differences though. Most importantly, the trick selection has been greatly expanded. This is most notable when it comes to the additions of manuals from THPS 2 and reverts from THPS 3, which, especially when combined, allow for some insanely ridiculous combo score multipliers. Unless you’re just a natural at the game, learning to use and abuse both moves is invaluable to earning high scores. There’s plenty more too, like new goals for each map, changes to the way “tour” level progression works, the pro skaters/create-a-skater mode and the skate shop. It goes on and on, but again, Vicarious Visions did a good job respecting the original games, and that’s probably what ultimately makes Tony Hawk’s Pro Skater 1+2 so successful.

I was about half way through the original THPS tour; I had still had a few levels to unlock, most pro and sick scores were alluding me, as was anything above a bronze medal in competitions and a few of the more challenging goals, when something finally clicked. I got fully into the zone for chaining together some combos and thus spent the next week and a half or so cramming in as many sessions of THPS 1+2 as I could while I methodically went through and destroyed all of my remaining goals. When I finally beat the last one I was disappointed that the associated achievement (“Grand Tourer”) didn’t unlock. Figuring that maybe it was the one stat point I hadn’t collected yet, I dutifully went for it and… still nothing! I thought maybe it was some kind of an odd save game synchronization issue so I quit my tour and then quit out of the game. Upon loading it back up the game seemed to sit on the save synchronization screen for quite awhile, and then… my tour progress was back to 47% from 100%. Fuck! Randomly the next day my Xbox App reported that I’d earned the achievement so, hoping that Microsoft was having some kind of a weird server issue, I rushed to my Xbox to see if my progress was restored. Nope. I’m still not sure if it was a THPS 1+2 bug, a cloud save issue, or perhaps something to do with the Series X’s quick resume, but in any case I was fucking furious. Cyco Vision indeed.

Skate or Die... and go to Skate Heaven!
“Skate or Die… and go to Skate Heaven!”

It’s funny that one of the reasons I queued up THPS 1+2 was because I wanted another casual game I could hop in and out of randomly as I’d been doing with Star Wars: Squadrons, but my god did I forgot what a vicious hold this game can take over you. Beating both tours became an obsession. The fact that I had that save problem and didn’t immediately bail out of pure frustration speaks pretty highly to that, I think. Some of the goals are far from easy, they might even be a little rage inducing (the rooftop gaps on Downtown and the hidden tape on Streets come to mind) but it’s far from an insurmountable challenge, and soon I found myself having cleared all levels with gold medals in all of the competitions in both tours, and it all somehow felt absolutely worth it.

What can I really say that can top that? If you’re a fan of any of the original Tony Hawk’s Pro Skater games or you’re simply into skateboarding and want to play something a little different, definitely check this one out… but just to be on the safe side, you might want to get into the habit of manually saving your career (it’s hidden under the options menu, oddly) to help reduce to risk of throwing your controller through your TV like I almost did.

I got distracted while writing this and ended up watching reviews of the old Skate or Die games and clips from the old CKY videos for an entire evening. This in turn lead me to spending the weeks after watching tons of 80s and 90s skate videos and interviews with famous pros, and really, just generally fondly reminiscing about my love of skateboarding more than I have in something like 20 years. Thanks, THPS!

The Next Generation

Before I get started, welcome to 2021! 🎉

As I casually dropped in my last article, I was lucky enough to preorder an Xbox Series X for launch day. The Series X, Series S, and PlayStation 5 are impressive machines, without question, though Microsoft and Sony (to a lesser extent) have launched with perhaps a pair of fairly lackluster launch day lineups. Of course, this new generation of Xboxes was supposed to launch with Halo: Infinite which would have satisfied a huge swath of Xbox devotees. That release getting pushed back was a major fail, but as a Halo fan I’m hopeful that the Halo: Infinite we end up with will be better for it.

Sharing is caring, after all.
“Sharing is caring, after all.”

Beyond that one glaring issue, Microsoft treating the Series X|S as more of an extension of the Xbox One rather than an entirely new console generation suits me quite well. I’ll most definitely continue taking advantage of the Xbox One’s expansive library, which of course includes backwards compatibility with many Xbox 360 games and some original Xbox titles as well, only now with improved loading speeds and other enhancements. There’s also at least one Xbox One game I’ve been wanting to play that reportedly ran terribly on the original Xbox One that I’ve purposely delayed playing until I could upgrade to the Series X, actually, and given that I skipped over upgrading to the Xbox One X, this really is a notable jump in performance for me, even while still rocking a 1080p TV.

One more practical change, as minor as it might be, is the Xbox controller is finally catching up to the PS4’s with the addition of a “share” button, meaning I can at long last capture my own action shots of Xbox games with ease instead of having to plunder the nether regions of the Internet for screenshots for some of these blog posts. I know most people won’t care about this feature but, having already used it extensively for my Halo 3 game log, I can say I’m a fan.

Captain Spirit, ready to beat some Mantroid ass!
“Captain Spirit, ready to beat some Mantroid ass!”

I’ve not just been using my shiny new Xbox Series X to play ports of 13 year old Xbox 360 games though! My girlfriend and I had also started playing Life is Strange 2 just before the Series X launch, and managed to transition to playing the remaining episodes on the Series X with ease thanks to the wonder of automatic cloud saves. Life is Strange 2 is a much newer game, of course, but it’s not Series X|S enhanced, nor was it really pushing the hardware of even the original Xbox One, but hey, we have to start somewhere, right?

As I’d recommend to anyone reading this, we started our playthrough with The Awesome Adventures of Captain Spirit. In this free mini-episode you play as Chris, a young boy who lives a somewhat isolated life due to the difficulty his father is facing coping with the death of Chris’s mother. Chris is able to compensate a bit better by leaning into his huge imagination, with Captain Spirit being his superhero alter ego, for example. The game itself is typical Life is Strange fare, with the player navigating Chris through a variety of tasks around his home. The “slice of life” stuff is quite strong in this one, and Dontnod manages to paint a compelling picture of these characters in the short time we’re with them. We both left this episode really rooting for Chris and hoping to see him make a proper appearance in Life is Strange 2.

Exploring the wilderness of the Pacific Northwest.
“Exploring the wilderness of the Pacific Northwest.”

In Life is Strange 2 you play as Sean, a teenager living with his dad and little brother in Seattle. Starting off with more slice of life mundanities, shit quickly escalates in unexpected and tragic ways, with Sean’s brother Daniel exhibiting some sort of supernatural powers (a recurring theme in Life is Strange, apparently) Sean and Daniel find themselves all alone and on the run. Without getting too much further into spoiler territory, this sets up the rest of the game as we follow Sean and Daniel’s journey, with the relationship between the brothers being the real highlight of both the story and the mechanics.

You’re constantly faced with decisions about how Sean interacts with Daniel, how you let him behave, and yes, how (and when) you let him use his powers. I personally took a very careful approach with him, always attempting to be a good influence on him despite the difficult situations we often found ourselves in throughout the course of the game, while also giving him an appropriate modicum of freedom and respect that children often crave but so rarely receive. That’s a bit more of a balancing act than you might think though, but I almost always left every episode satisfied with how I’d played as Sean when looking at the end of episode statistics.

With great kid brother power comes great older brother responsibility.
“With great kid brother power comes great older brother responsibility.”

It really is kind of an interesting take, not being the person with the power, but instead being the person next to the person with the power. In that way, the whole experience is a bit more grounded than the first Life is Strange, perhaps feeling a bit more like Before the Storm. The similarities don’t stop there though. Life is Strange 2 really focuses on those “slice of life” moments, character building, and decisions which were the real focus of BtS. Attempts to shoe in puzzles or action sequences are barely there at all, and I think that fits the tone of the stories Dontnod seems to like to tell better overall, personally.

The game has a similar look to the original Life is Strange and Before the Storm, though, again, as with BtS, leans into the stylization just a tiny bit more, and for the better. Like the former two games, it definitely has moments where the visuals really work, especially when paired with another fantastic Syd Matters soundtrack and some talented voice actors. The writing (notably, the character dialog) is also worlds better than what we encountered in the first Life is Strange. I do think I had more minor bugs and technical glitches in Life is Strange 2 though, especially in later episodes, but nothing terrible enough to ruin my experience – just oddities like odd bits of clipping, overlapping dialog, that kind of thing.

Sean's journal entries are short and (usually) fun.
“Sean’s journal entries are short and (usually) fun.”

The new backpack and journal system is a nice upgrade from the former games. This both expands on those titles’ similar systems, yet somehow simultaneously makes it less intrusive. The journal entries are much more terse, consisting mostly of short thoughts, notes, and sketches related to recent events rather than the more complete transcriptions of the story, so they don’t take too long to review, yet still add a nice bit of extra exposition. This is particularly useful when it comes to filling the gaps from several timeline leaps that occur throughout the story.

Speaking of sketches, Sean’s a bit of an artist, and you’ll have several opportunities to sketch in your journal throughout the game. While the sketching mechanic itself feels a little half baked, the sketches themselves are pretty cool, and sitting down to sketch is yet another “slice of life” that serves to connect you with Sean. Like the photograph and graffiti mechanics from the former titles, this is basically a “collectible” system, though LiS2 also features a more tradition one of those too, where you can find various odd items in the world and squirrel them away in your inventory for achievements out of game, and the ability to use many of them to decorate your backpack in game. Fairly pointless, but a fun little addition.

After finishing the game, this one brings the feels.
“After finishing the game, this one brings the feels.”

Back to the more important stuff though, the story eventually reaches its end, culminating in a final decision. In an interesting twist, keeping with the theme of Sean guiding his younger brother, the decision ends up not being yours alone. Whatever you pick is paired with Daniel’s response based on who he has become by that point in the game, which itself is dictated by numerous other decisions, both major and minor, you made regarding him throughout. The endings vary quite a bit, with one of them being pretty insane, and while there are ultimately only four endings with some variations thrown in, this felt far superior to the absolutely binary choice and corresponding ending you got at the end of Life is Strange. I was pretty happy with my ending, for the record!

Despite some significant hype from some reviewers and podcasts I frequent, Life is Strange 2 managed to avoid letting me down. I’m happy with Dontnod’s decision to only very loosely connect Life is Strange 2 to Life is Strange, as getting to know new characters in new settings, and in new situations, was a lot more interesting than needlessly rehashing the events of Life is Strange yet again. While it didn’t emotionally affect me quite as much as either of the previous games, it definitely still did, and that remains a rare, powerfully compelling thing to encounter in a game.

Something a bit more appropriate to let my Series X flex just a little, was Star Wars: Squadrons.

X-wing versus Star Destroyer. Classic!
“X-wing versus Star Destroyer. Classic!”

I’m a big fan of the old LucasArts X-wing series and I’ve wished for something resembling a proper sequel for ages now. The closest was perhaps the Jump to Lightspeed expansion for Star Wars Galaxies, which while kind of cool in its own right, wasn’t quite a fit, never mind being attached to an expansive MMORPG weighing it down. Now with Star Wars: Squadrons, Motive, likely inspired by their work on the space battles from Battlefront II, has come out with a modern, online focused Star Wars space combat game of its own that is clearly heavily influenced by those older games.

I’m not sure where my expectations were when first checking the game out. I mean, EA made no secret that Squadrons was going to be a bit of a budget game, but it feels and looks plenty polished to me, pretty much nailing those Star Wars aesthetics. Zipping around a Star Destroyer in an X-wing, rolling and turning as you try to evade the Tie Interceptor on your tail, laser fire and explosions all around you? Yeah, it just looks flat out amazing if you’re a Star Wars nerd like me. The intermission cutscenes and in-game world menus (somewhat aping those seen in the original X-wing games and it’s ilk, such as Wing Commander) look reasonably nice too, despite them feeling more aimed at PC players using VR than fans of those old titles. Oh, and yes, there is full VR support here too! I don’t have a VR headset myself, but if I ever get one, Squadrons will be high on my list of games to try it out with.

Boring conversations in boring hangers.
“Boring conversations in boring hangers.”

Despite being online focused, there is a single player campaign. I feel like it gets a bit of a bad rap, often being described as little more than a glorified tutorial, but it certainly feels like a full enough campaign to me. You’re tossed back and forth between pilots for the Empire, still reeling from the Emperor’s death, and the emboldened New Republic, who are looking to capitalize on their recent victories by building a super weapon of their own. I think it’s story is… adequate. It’s not terrible, and it certainly does a fine job of giving you a reason to be in the cockpit, which is the main thing, but it’s all a little ho-hum. I found talking to your fellow pilots and other NPCs between missions similarly unfulfilling. I just didn’t find many of them very interesting, honestly.

Once in the cockpit the scenarios you’re put into are much more appealing, thankfully. There’s a fair amount of variety in set pieces and objectives, and some of the battles actually managed to remind me of those good old days playing Tie Fighter for hours on end. The biggest difference is perhaps the lack of mundane tasks and dead time in missions that often comes with simulation games, and was certainly a big part of the original X-wing series. A few times in a few missions aside, you’re always hopping from fight to fight, rarely out of the action for very long. I haven’t decided if that’s necessarily a bad thing, but it’s worth noting as a significant difference, at least.

The campaign is pretty fun though!
“The campaign is pretty fun though!”

It took me longer than it seems like it took most people to work my way through the campaign’s 14 missions, but after doing so, I immediately dove into the game’s practice mode which functions as a bit of a sandbox, complete with obstacle courses to race though, Fleet Battles tutorial, and then into the Fleet Battles vs AI mode, which you can run solo or coop with up to 4 other players. Fleet Battles is the main online game mode, and while the formula will probably eventually get a tiny bit old (at least versus AI) I’m intrigued by the design, which seems to borrow some concepts (most notably “creeps”) from MOBAs. It also contains phases similar to those games, though defines them in terms of fronts like some strategy games that attempt to simulate battle lines.

Each side starts out with their team of 5 players, a bunch of AI creeps. A flagship and two cruisers hold each team’s backline, while a smaller capital ship heads out to attack the enemy. Whoever wins this phase progresses to the next phase, in which they must attempt to take down the enemy cruisers. Winning that, results in a phase to finally destroy the flagship. These phases aren’t static though, and if the losing side manages to do enough damage to players (or farm enough AI creeps!) while avoiding taking too much themselves, they’ll push the winning side back and progress to the next phase themselves. This back and forth can continue for a while depending on how quickly the players can manage to take down the capital ships, and can be pretty dramatic at times, with victories pulled from the brink of total defeat not being all that uncommon. It’s a pretty cool system that mixes some objectives in with the dogfighting, while also letting us feel like we’re in the midst of a larger battle.

Maximum Star Warsiness.
“Maximum Star Warsiness.”

There are four classes of ship you can select between lives (or swap out by flying into your flagship’s hanger) like which can all be geared and used somewhat differently, while still allowing for a fair amount of overlap. The gear you can unlock and equip can be adjusted for different purposes and preferences, but that feels more about flexibility than catering to flavor of the moment easy button meta builds. There’s also a system for unlocking cosmetic items for your pilot, your ship, and your ship’s cockpit. The whole unlock system is clearly just there for the sake of providing players with some kind of progression, but it doesn’t provide any sort of edge, and works well enough. Plus, who doesn’t want a Grogu (ok, “Baby Yoda”) bobble head on their ship’s dashboard?!

I feel like going much further into the game’s mechanics would be digging into the weeds more than anyone would likely want to read, especially coming from someone who has barely even played online where real tactics and skill are developed. If you’re interested, there are all kinds of YouTube channels and streamers with a lot more expertise than I have putting out content. Here’s one I like, for instance. This is the type of game I do wish I had a crew for though, as I can imagine sinking a ton of hours into this thing with an organized team would be insanely fun, but for numerous reasons, the timing just wasn’t right to attempt to pull something together. In any case, even without playing it online much, I love the game and am definitely happy with my purchase. If you’re a fan of the old X-wing series (or any of its contemporaries) and don’t mind the more competitive, online nature of the game, it’s hard not to give it a solid recommendation, but even if you’d rather stay out of the online lobbies completely, you might just get enough fun out of it to justify your $40.

Fleet Battles is the gift that keeps on giving.
“Fleet Battles is the gift that keeps on giving.”

One more interesting thing about Star Wars: Squadrons is that despite announcing close to its launch that they wouldn’t be releasing any new content for it, Motive has continued to put out patches, new cosmetics, a new map, and they’ve even recently added two new ships – my beloved B-wing is now in the game to round out the classic roster of Rebel Alliance ships! This is all unpaid content, I should mention, because on paper this game definitely sounds like it could be yet another cynical microtransaction cash grab. Anyway, I imagine (and hope) that all of this continued support is due to the game being quite a bit more successful than originally planned. Fingers crossed that it’s done well enough to justify a future, larger sequel!

The Squadrons screenshots are mine, though the Life is Strange 2 shots were sourced from Steam Communities. I didn’t want to annoy my girlfriend with constant capture notification spam while playing through it with her.